Newsletter Article - September 29, 2009

Posted September 29, 2009

Adolphus Piano

I certainly consider myself fortunate to have had many opportunities in my life for a variety of cultural experiences. My family would say I have "expensive tastes," but I'm really not sure how I could be any other way. Even as young children, my parents took my sister and I to top-rated fine dining restaurants and insisted we know how to behave and dine properly in such an environment. Our family traveled a lot, and I learned to experience things firsthand. This is a practice I have continued throughout my adult life. I developed my taste for Italian Varietal Wines among the vineyards of the Viansa Winery in Sonoma Valley. I saw Rent in the Golden Gate Theater in San Francisco and Phantom of the Opera in the Pantages Theater in Toronto, which was renovated from floor to ceiling before its grand reopening in 1989 specifically for that production. The first cigar I ever tried was a Partagas Série P No. 2 that had been on a flight from Havana just an hour before, which started a longtime appreciation for fine cigars. (For the record, this experience was at a friend’s villa in Mexico, so there was nothing illegal about having a Cuban Cigar.) I learned about diamonds from one of the very few people in the world who is allowed to buy raw uncut diamonds directly from the De Beers Organization.
I do not say all this to make myself sound impressive. In truth, I cannot take credit for any of these experiences. I have simply had the good fortune to either be in the right place at the right time or to have professional responsibilities, especially when working on luxury cruise liners, that made personal knowledge of things like fine diamonds and Cuban Cigars a necessity. I say all this to reinforce one specific point: I am not an easy person to impress. Although I’m working on the problem, I seem to have often lost the ability to appreciate more economical alternatives to many things. I’ve begged friends not to ask me to help pick out an engagement ring at a local department store. I have difficulty appreciating “complimentary champagne” for toasts at events. I cannot drink wine from a box or order coffee in many local restaurants. I am often envious of the pleasure I see on my friends’ faces when they can simply appreciate tha t they enjoy something without feeling the need to dissect all its nuances.
This brings us to tea. As a native Texan, I was raised on iced tea as the standard cold beverage of choice, and I have somehow managed to continue through the years to put iced tea in a category with water more so than with actual tea, which has allowed to me continue drinking it. However, when it comes down to actual tea, prepared and served hot, and the entire ritual surrounding its service, I once again become incredibly particular. I’ve had the opportunity to host many afternoon tea services through the years, often for individuals who would have been very clear about their disappointment if it was not done properly. I’ve also developed an appreciation for well grown and processed tea leaves that has lead to yet another grocery item that now costs me more than most of my friends.
I had the opportunity earlier this month to attend Afternoon Tea at the Adolphus Hotel. My love for the Adolphus is no secret to anybody. I have a well publicized appreciation for The French Room, and I’ve often said, when asked, that if I were to ever work as a concierge in Dallas, it would almost have to be at the Adolphus, because no other hotel would appreciate my sending their guests there. Even with such an appreciation, I must admit to wondering if they could truly manage a traditional afternoon tea service in the middle of Dallas, Texas. I have, after all, been to many very nice places for “traditional tea service” where I was welcome to “high tea” and presented with a mug, a tea bag, and a little silver pot of hot water.
Before I move on, I should say two things. First, tea leaves should actually look like leaves, not like sawdust. Second, afternoon tea and high tea are not the same thing.
Unlike wines, cigars, and many other things, it does not take much specialized knowledge to be able to tell the difference between good tea and not-so-good tea. Good tea leaves should look like just what they are, dried leaves, often mixed with other herbs, spices, and fruits. You should be able to recognize them, just like you could recognize a raisin as a dried grape. Now grab a tea bag out of your cabinet, tear it open and pour the contents out on a napkin. Does it look like small dried leaves that were carefully picked and packed, or does it look like bits of brown dust swept up off the floor?
I mention the use of the term “high tea” mostly because it is a term incredibly misused in the United States. Although the word “high” can mean several things in English, we, as Americans, tend to think of things described as “high” to be greater in status or “higher class.” This is not at all what is meant by the British term, “high tea.” Simply put, the adjective refers to the height of the table, not anything else. Afternoon Tea is a mid-day meal or snack served normally between 3:00 and 5:00 PM. It is often served in the parlor or living room on the tea table, or what we would refer to as the coffee table or cocktail table. This is a low table normally situated among upholstered furniture. High Tea is served later in the day and often combines afternoon tea with the evening meal. It is therefore served at the higher dining table, where the evening meal would normally be eaten. It is often c onsidered a lower class tea service, not a higher class, as assumed by many of us in this country.
Afternoon Tea at the Adolphus was truly everything an afternoon tea service should be. It includes four courses of food and three pots of tea, all served on traditional bone china. The server is knowledgeable and helpful, so if you do not know how to select a tea or which order to serve those you have selected, just ask for assistance. Food will start with a variety of small tea sandwiches. The second course is a scone with cream and jam. They serve a buttermilk drop scone, as opposed to the drier and denser scones you would find in most coffee shops in the area. Next comes the sweet course with an incredible variety of small desserts, followed by a final serving of a chocolate truffle. Each of the first two courses gets its own pot of tea, with a third pot for the sweets and truffle.
Although I could not possibly describe the entire tea selection, I will comment on two I found of particular interest. The first is Rain Forest Matè, which is described as “spice and fruit unite in this herbal mélange composed of energizing matè tea, mint, rose petals, apple, pineapple chunks, star anise, lemongrass and cloves that refresh and revitalize.” This is certainly not what you would expect from a matè. (I choose to include the accent mark to distinguish from the English word “mate”, although I realize this causes a conflict with the Spanish word for “I kill”. I mean the word only to refer to a type of plant used in tea.) Traditional South American Matè has a very distinctive deep, woody, and almost smoky flavor. This tea, however, is very bright and lively. Always ask to smell the tea if you can’t get a good feel from the description. The second tea of particular interest is the Pear Caramel, which could almost be considered the signature tea of the Adolphus. The listed description for it is, ”Washington state pears blended with Ceylon and China black tea and sweet caramel. The perfect after dinner dessert tea or afternoon treat.” This tea has the taste of pears and a very strong scent of caramel that combine for a truly exceptional experience. All teas are prepared immediately before service from whole leaf tea. Although they do choose to use a bag to separate the tea from the water for easy disposal, the bags are filled by hand with excellent quality tea leaves just prior to preparation.
Music is provided by a classical pianist on the hotel’s beautiful grand piano (shown above). This Steinway was actually once owned by the Guggenheim Family, and it is a treat to hear it played. The cost of tea service is fully inclusive of all food, tea, service, gratuity, and valet parking. It is a wonderfully relaxing experience, and there are very few cities in the United States where such a service could be found, so I suggest everyone get a reservation for Afternoon Tea very soon. The services tend to sell out, as they are kept very small to guarantee quality of service and are only offered seasonally, Thursdays through Sundays.

Save the Date Follow-Up - August 26, 2009

Posted August 26, 2009

Michael Gross

Michael Gross
at
Authors at The Adolphus

As mentioned in our Fall Save-The-Date Edition, Authors at The Adolphus kicks off on Thursday, September 17 with author Michael Gross presenting his newest work, Rogue's Gallery.

Rogue

The luncheon is scheduled, as always, from 11:30 AM to 1:00 PM and is $68 per person, inclusive, with complimentary valet parking.

What I did not mention in the save-the-date newsletter is that these events are "by invitation only." However, I have been specifically given permission to share my invitation with any of my readers who would like to attend.

If you would like to attend, just send me an e-mail, and I'll forward you the invitation so you can RSVP for the luncheon and book signing.

Save the Date - August 14, 2009

Posted August 14, 2009

The French Room

Authors at The Adolphus

I am always excited to present new opportunities in our area. However, in the case of Authors at The Adolphus, I certainly cannot take such credit. Knowing my longtime love for The Adolphus Hotel and especially The French Room, I have to wonder how I managed to take seven or eight years to find out about this series. This opportunity is far from new, but it is new to me. If any of you who read this newsletter on a regular basis have been attending for years, just don't tell me. That way I can continue to think I've presented you with something new and exciting.

As an avid reader and collector of autographed books, I always love to find literary-themed opportunities for adults. As a society, we do a pretty good job of finding lots of creative ways to encourage children to read, and I am incredibly supportive of such efforts. However, such programs for adults are often limited to small monthly book clubs or occasional readings by authors at local bookstores, examples of which I have covered in the past. Authors at The Adolphus takes this to a whole new level.

The series is held in The French Room (pictured above). Due to the space limitation in this beautiful room and the desire to provide an experience with personal interaction for everyone, only 90-100 individual reservations are accepted for each event. The experience begins with a reception at 11:30 AM, during which the author mingles with everyone present.

Lunch follows the reception, and the author is seated with guests chosen at random. Jocelyn White, a local TV personality probably best known for her 2001 series, Designing Texas, conducts an interview with the author in front of the luncheon audience. Unlike in a standard reading, those present will get to really hear what went into the work. Following lunch is a book signing. Each person will have the opportunity to speak to the author and have a book signed.
Each of the luncheons are scheduled from 11:30 AM to 1:30 PM at an inclusive cost of $68.00 per person. If you don't like to drive downtown, you can always take the Light Rail, but parking is not a hassle. Just pull through the main entrance to The Adolphus. Valet parking is complimentary for these events.

According to the Director of Public Relations, David Davis, there are three authors already committed for this fall. Since this edition of the newsletter is all about saving dates, here's what we already have:

RogueMichael Gross

Michael Gross will be at Authors at The Adolphus on September 17. Although I have not yet had a chance to read his newest work, The Secret History of the Moguls and the Money That Made the Metropolitan Museum, I am really looking forward to reading it. The Met has a really interesting past, and it is not something that has been found well documented in one place before now. Since I cannot offer personal testimony on this book, yet, let me offer a couple statements from the publisher's press release.

Long before the current wave of skepticism about the very rich, Michael Gross’ fearless bestselling books have pulled back the curtain on their real lives and their real (and often questionable) behavior. Gross’ latest entry into the fray does just that and more. ROGUES’ GALLERY: The Secret History Of The Moguls And The Money That Made The Metropolitan Museum (Broadway Books; May 5, 2009; $29.95; 978-0-7679-2488-7) is the first independent look at the Metropolitan Museum of Art by a journalist who doesn’t hesitate to speak truth to power. Just as 740 Park peeled the facade off the extravagant home lives of America’s wealthiest, ROGUES’ GALLERY pulls back the shades of secrecy that have long shrouded their cultural and philanthropic ambitions and maneuvers.

A fascinating behind-the-scenes study of America’s rich and what is perhaps their greatest creation, ROGUES’ GALLERY gives its readers an unprecedented tour of the inner sanctum of one of the most famous museums in the world. With over 5 million visitors per year, The Metropolitan Museum of Art is a repository for more than two million art objects created over the course of five thousand years. Covering over two million square feet, occupying thirteen acres of New York’s Central Park, and encompassing power and fire stations, an infirmary, and an armory with a forge, the Metropolitan Museum of Art is the largest museum in the Western Hemisphere, and its glitzy history—its art, its acquisition process, its glittering, if agenda-driven, array of supporters—is sexy, fascinating, and very, very enticing.

The First TycoonT J Stiles

T.J. Stiles will be at Authors at The Adolphus on October 1. His biography of Jesse James is a fascinating look at the life of the notorious outlaw. His newest book is The First Tycoon: The Epic Life of Cornelius Vanderbilt. Much like his work on Jesse James, this biography brings forward a fascinating look at a man on whom very little writing has been dedicated. According to Mr. Stiles, the last serious biography of Commodore Vanderbilt was published in 1942, and although the life of this famous businessman may not have changed since then, that biography was actually dedicated to business history, so you could consider it to be incomplete as a total biography. In The First Tycoon, Stiles actually brings forth much information for the first time in any publication.

Here is a brief synopsis from the publisher:

On April 21, 2009, Alfred A. Knopf, Inc., published The First Tycoon: The Epic Life of Cornelius Vanderbilt, by T.J. Stiles. This biography offers a sweeping new account of the business career and personal life of the Commodore—as Vanderbilt was known—the first great corporate tycoon in American history and the founder of the Vanderbilt dynasty.
Of all the key industrialists and financial figures of American history, Vanderbilt may well be the most important. Yet, unlike Jay Gould, J.P. Morgan, John D. Rockefeller, and Andrew Carnegie, the Commodore has never received a full and authoritative biography. The First Tycoon weaves some six years of intensive research (in previously untapped archives) into a fast-paced story of a man and the nation rising together.

Ranging from his humble birth on Staten Island during the presidency of George Washington through the days of John D. Rockefeller (with whom Vanderbilt made deals), The First Tycoon recounts Vanderbilt's rise from sailboat ferryman to steamboat entrepreneur, from master of transoceanic steamship lines to builder of a railroad empire. Along the way, Stiles describes Vanderbilt's personal adventures in the Nicaraguan jungle, his epic campaigns on Wall Street, and the intrigue that divided his family. Most important, Stiles shows how Vanderbilt helped to shape American thinking about equality and opportunity and create the modern economic world.

You Were Always MomDeborah Tannen

Deborah Tannen will be at Authors at The Adolphus on October 15. Dr. Tannen is a Professor of Linguistics at Georgetown University and has written several widely read books. She is probably best known for her 2001 work, You Just Don't Understand: Women and Men in Conversation, which spent eight months as #1 on the New York Times Bestseller List during almost four years on the list. It is a fascinating book on gender differences in conversation, particularly how men and women can get totally different messages out of the exact same words. Her most recent publication, You're Wearing That?: Understanding Mothers and Daughters in Conversation, spent ten weeks on the New York Times Bestseller List and concentrates on conversations between mothers and their adult daughters, including why such relationships are often strained and how to make them better.

However, her visit on October 15 will be centered around what will be her most recent publication by then. On September 8, her newest book, You Were Always Mom's Favorite!, Sisters in Conversation Throughout Their Lives, will be released. Much as she has concentrated on the relationships of men and women and the relationships between mothers and adult daughters through their conversations, she now turns to the relationship between adult sisters. Here's what the publisher has to say about the soon-to-be-released work:

Conversations between sisters reveal a deep and constant tug between two dynamics–an impulse towards closeness and an impulse towards competition, as sisters are continually compared to each other. When you’re with her, you laugh your head off, and can giggle and be silly like when you were kids. But she also might be the one person who can send you into a tailspin with just one wrong word. For many women, a sister is both.

With a witty and wise voice, Tannen shares insights and anecdotes from well over a hundred women she interviewed, along with moving and funny recollections of her own two sisters. You’ll come away with a profound new understanding, as well as effective techniques to improve and accessible solutions for problems in this unique and precious relationship.

I'll certainly let you know when there is more to know, but there certainly seems to be a great variety of literary styles just among these three authors along with a rare opportunity to lunch at The French Room. So, get reading and put a few more dates on your calendar.

Newsletter Article - July 21, 2009

Posted July 21, 2009

Van Hurd

Van Hurd
takes on
Hell's Kitchen

OK, I know this edition is supposed to be dedicated to Restaurant Week, so I'll tie in this article, even though it's really not about Restaurant Week at all.

Regular Restaurant Week diners across the D/FW Area were shocked to see The French Room on the list of participating restaurants for the 2009 event aimed at raising enormous sums of money to feed the hungry in our area. David Davis, the Director of Public Relations for The Hotel Adolphus, confirmed that The French Room has never taken part in this long-standing area tradition. Phones were ringing off the hook as soon as the announcement came out, and although the restaurant extended the promotion for a week beyond the required original week, the dining room was completely sold out within seventy-two hours of the official announcement. According to the Director of Food and Beverage for the upscale Dallas hotel, Michelle Tornatore, there are now over 200 individuals on the waiting list for a Restaurant Week reservation, and who could blame them? Although this incredible restaurant has been offering a special "Date Night Menu" on Tuesdays, Wednesdays, and Thursdays for $50 per person, it is hard to imagine a dinner for $35 in the dining room best known for arguably the most elaborate thirteen course grand tasting menu available for $250 per person including wine pairings. However, you certainly cannot say their menu includes "lesser offerings," as the choices make me wonder how they can purchase the ingredients for the $28 the restaurant receives out of the $35 purchase price after $7 is donated to the Dallas Food Bank. You could start with Dominion Farms Pork Belly with a Five Spice Glaze or Texas Yellow Corn Soup with Duck Pot Stickers followed by a chef's choice Intermezzo and then your choice of main courses including an herb-roasted pheasant breast with saffron linguine and champagne cream sauce. For dessert, there is a very intriguing "Popcorn Pot du Creme" with salted caramel ice cream and caramel sauce. Also, tarts are available in peach or chocolate espresso, or a Grand Marnier Souffle can be enjoyed for an additional $5.

This is probably about the point where you start throwing things at me for talking about such a wonderful dinner option that is nowhere close to still available, so this is also the point where I will shift focus. As you probably noticed from the headline, this article is really not about dining at The French Room for Restaurant Week at all, although it is quite interesting that the restaurant that really seems to need no publicity is about to get a second large dose of acclaim in the same week as the announcement of their first time on the Restaurant Week list. Tonight at 7:00 PM Central on FOX is the premiere of the sixth season of the hit reality show, Hell's Kitchen, starring Gordon Ramsey, and tonight friends and family of The Adolphus will gather to support one of their own. Van Hurd, pictured above, holds a highly coveted Fish Cook position at The French Room and joins fifteen others in Chef Ramsey's competition that always involves a prize of culinary prestige and success. This year is no different. If Van manages to be the last one standing, he will receive the position of Head Chef at Araxi Restaurant in Whistler, British Columbia, Canada. This may seem like an interesting choice of locations, and it is. The winner will be in position in time for worldwide acclaim, hosting the 2010 Olympic and Paralympic Winter Games.

Van is a twenty-six year old graduate of the culinary program at the Art Institute of Dallas, originally from Buford, Georgia. Van is the youngest member of the Blue Team, although there are two women on the Red Team who are younger, including the youngest contestant, Lovely, a 23 year old Children's Camp Executive Chef from Chicago, Illinois. How will a good southern boy complete with a good southern attitude and the culinary skill to have succeeded in one of the world's most successful kitchens fare in the heat of Hell's Kitchen? This seems to be the season for even more conflict in the kitchen, so we'll all have to hope Van can make Dallas proud and carry through.

Adolphus Hotel

1321 Commerce Street
Dallas, TX 75202

214-742-8200

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